The Winners! 2020’s Bristol 48 hour Puppet Film Challenge

As much as it is all about taking part, I’ve been told that winning is an experience that feels very good. At last, you can stand tall on that podium, sit up on that high horse and look down at all the little runners up! Joking aside, we’re getting close to the 2021 Bristol 48 hour Puppet Film Challenge and there’s excitement in the air.

Finishing the challenge itself is a tremendous feat. Coming up with a concept, constructing puppets, making all the little set bits, animating/puppeteering, filming, and then editing the whole thing in 48 hours – it’s a little bit crazy and a lot of fun! Creating a puppet film is difficult, but what’s more difficult is pleasing both a panel of expert judges and all of your screaming fans. Last years winners will already know this very well! There were so many gems in last years competition, I can’t imagine how hard it was to agree on the winners.

In third place we had ‘Joey of the Past’ by Taylor Bibat. A music video-style film with a score from his band, ‘ElvisBride’. This film took the theme of last year, TIME and used the item, THREAD and created something pensive and surreal. Joey is a time traveller swinging across the screen clinging to a thread, maybe representing string theory?

Tell us about your film Taylor.

I was told about the Bristol 48hr Puppet Challenge by Chris Pirie who I had recently performed with in an opera in Chicago. Because of COVID-19 I decided to do my best with just my own two hands and readied the apartment for 48 hours of creative flurry! The three cats were confused, but along for the ride. When the prompts of “thread,” “flip,”and “time” were announced I realised that the song “Joey of the Past,” written by Troy Martin for the band ElvisBride of which I was a member years back, was perfect. With support from Bry Sanders, I teased out the images I wanted to play with; time represented by thread, Sisyphean struggle and problem solving around it, that dreamlike state between waking and sleep. Ultimately my plans were mostly thwarted by lack of extra hands because two is never enough, an ever failing monitor set up resulting in puppeteering blind and other tech challenges that left me exhausted and frustrated. I remember thinking that I wish the filming process had been itself filmed as it felt like an ongoing clown act with me constantly “eating” problem after problem. At a certain point I stopped shooting and got to editing, putting aside the plan and collaging with whatever footage I had. The only measure of success I cared about was turning something in before time ran out. 

Did you already have the song to work with or was that created for the challenge?

The song was already written and recorded years prior. I was in a band called ElvisBride when I lived in Chicago and the music is very special to me. This song in particular always fascinated me and I was so happy to get to explore it visually. I love for ElvisBride music to be heard by new people, even all these years after the band has broken up. 

What was it like watching the screening and hearing from the judges? 

To be honest, winning any sort of recognition was so far from my mind that I didn’t think to watch it live as I knew I could come back to it later. It wasn’t until I got a text from a friend saying I was in the Top 10 that I got to a computer and turned it on. I was then shocked that I placed in third! To have the amazing judges refer to the “excellent animation and movement” and “really skilled manipulation,” along with comments on its relationship to COVID, “Intriguing design ideas”, the mechanics of the simple set being “enormously satisfying” and of course the music. I was just beside myself and felt a profound sense of confidence and joy. This specific feedback from these brilliant puppet artists was invaluable. I had surpassed my goal of just getting something turned in and felt so proud of the work I had done just with my two hands over the course of 48 hours. Thanks Bristol 48hr Puppet Film Challenge and House of Funny Noises. What a pleasure to participate in such a wonderful event!

In second place, was ‘Why am I a Stick’ by NonSuch Productions. An epic adventure where a man wakes up and turns into a stick! We follow his journey in solving the mystery of why he is a stick and how he might return to his human form. A bit like Freaky Friday! Existential and funny, with lots of charm and a lovely fly. Let’s hear from Jennifer Sinclair, one of Nonsuch production’s puppet creators and wranglers.

NonSuch Productions

What gave you the idea to turn a man into a stick?

The inspiration for the film came from many different places, and the storyline itself was inspired by the prompts of the Challenge. Stickington (the name of our lead character) however, was created because of a picnic. We were on a post-lockdown, two-household, socially-distanced picnic and were discussing the upcoming challenge and what we might do. Somebody mentioned that it might be difficult to get puppet-making materials with the restrictions still in place and so we were discussing what household items might make good puppets. We then chanced upon a stick that looked a bit like a face and the rest is history! We had our protagonist and after a long night of brainstorming, storyboarding (and some wine!) after the announcement of the prompts at 7:00pm on the Friday, we decided to send our stick-man on a journey of self-discovery and adventure!

How did you get involved in the challenge?

We heard about the Challenge from some friends in the Bristol Puppetry community and thought it sounded like fun (and it was!). We aren’t professional puppeteers, but love to be creative and make things together and we really enjoyed making the film and seeing all of the entries!

Which element of the challenge was the most fun for you?

Being together and making something we are proud of. There were times that things didn’t work how we wanted or we felt like we were running out of time, but throughout we were laughing (even ruining takes because we were giggling!) and enjoying working collaboratively. Having limited time and resources is challenging, but necessity is the mother of invention and the Challenge gives you an opportunity to really flex your creative muscles, think on your feet and work together to get things done.

NonSuch Productions

And the winner was… ‘The Moon, the Sun, and the Sweep’ by Bear Thompson & Áine de Siún! A unique and dreamy film with a porcelain doll protagonist who falls to her death whilst sweeping. She ascends through a glittering spacey scene as we all reflect on the concept of time and the fragility of life. Here’s what Bear had to say about his time doing the 48hr challenge.

‘The Moon, the Sun, and the Sweep’ by Bear Thompson & Áine de Siú

Can you describe the concept of The Moon, the Sun, and the Sweep?

The Moon, the Sun, and the Sweep is about not letting the day to day get swept away. 

How did you manage your precious 48 hours?

On the first day we brainstormed lots of different ideas. It wasn’t until the second day, when we started making things, that it all came together. We both had different roles so we could work on different things to save time and it was a lot of fun working together too. 

What advice would you give to future competitors?

Our advice would be to crack on and start making and trying things out, but don’t panic if after 24 hours you still don’t have anything. Allow the story to change and use what’s around you to inspire ideas. Use the prompts to shape the story and try to think outside the box and include them in as many ways as possible. Make it your own style, because every single film last year was so unique and it was amazing to see them all. You’ll have a great time!

‘The Moon, the Sun, and the Sweep’ by Bear Thompson & Áine de Siú

If you fancy having a great time making your own puppet film in 48 hours, then lucky for you, there’s still time to sign up! And you can also watch last year’s films for inspiration.

The Bristol 48 hour Puppet Film Challenge will run this August bank holiday weekend, 27th – 29th, and is open to people of all ages and backgrounds, from absolute beginners to seasoned professionals. You must register in advance to join in with the fun and registration closes at 12:00pm (BST) on Friday 27th August. The Challenge is free to enter, but donations are warmly welcomed.

This years Festival is 11th – 12th September, 2021, with timings and viewing platforms to be announced! The Finale will be screening at We The Curious in Bristol on Sunday, 12th September, 2021, at 7:00pm (BST).

For more information about visit bristol48hpuppetfilmchallenge.co.uk

 

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